MEET THE BIG BOSS
I started making music about a decade ago,
when it was just me and my Blue Yeti against
the world. I was dropping multiple albums a year
at that point. Seeing as I was failing all my classes
and wasn't good at anything except having unrealistic expectations
for myself, I decided my only option was to pursue music as a career.
I started Kicksie and Bedhead Records at the same time, and with it came
years of self-taught instrument playing, production, audio engineering,
graphic, video and web design, coding, guitar modding and repairing. You name it, I figured out
a way to do it. I wanted to expand into as many different parts of the music industry as I could
to give myself the highest chance of succeeding.
My mother had been a working musician in her youth and my father built everything our family had with his bare hands and an infinite supply of 2x4s, so it's no surprise that the two things that stuck out to me the most was engineering music and working on instruments. It's in my genetic makeup.
I have some clear goals: I want to give back to the community
that has kept me afloat all these years. I want to make being
an artist more accessible for people who aren't able
to do everything themselves. I want to equip women
and queer people with the skills they need to succeed in an industry
that constantly pushes them down and works to make them invisible.
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Most of all, I just want to do a good job.



